That Romeo and Juliet plot, but make it pop. This Broadway musical at the Stephen Sondheim Theatre turns familiar tragedy into laugh-out-loud romance with chart-topping songs.

If you like your theatre with energy, this one delivers: you’re not just watching, you’re singing along to modern hits and following Juliet’s fresh start.

I love two things most. First, the built-in sing-along momentum as the show uses pop songs you already know. Second, the way the story flips the script on what Juliet is supposed to do next, turning Shakespeare into comedy.

One caution: it contains strong language, so it’s not the best choice if you need a clean, kid-friendly night.

Key takeaways before you go

• Pop hits you’ll recognize: Since U Been Gone, Roar, Baby One More Time, Larger Than Life, That’s The Way It Is, Can’t Stop the Feeling.
• A Romeo and Juliet remix with a second chance: Juliet doesn’t end it over Romeo.
• Major pop minds behind the music: Max Martin’s songwriting and production style drives the sound.
• A West End-to-Broadway creative team: Writer David West Read, choreographer Jennifer Weber, director Luke Sheppard.
• Comedy beats plus romance: You’ll get laughs without losing the love story.
• A full Broadway evening: 2 hours 45 minutes total with one intermission.

A Funny, Pop-Powered Take on Romeo and Juliet in Midtown

Seeing & Juliet on Broadway is an easy win if you want a night out that feels current. The Stephen Sondheim Theatre is the setting, and the production leans hard into the idea that you can keep the famous story beats while still making the ending feel new.

This show is built for people who enjoy theatre as performance, not just plot. The energy is tightly tied to the soundtrack and the cast’s comedic timing, so the laughs land while the music carries you through the romance.

You’ll also appreciate the high-profile creative engine behind it: the Emmy-winning writer David West Read (Schitt’s Creek) and the songwriter/music producer Max Martin (behind more #1 hits than any other artist this century). Add choreographer Jennifer Weber and director Luke Sheppard, and you can expect polish in the movement and pacing.

What You’ll Experience During the Show (and Why It Feels So Easy to Follow)

The premise is the hook: Juliet rejects the ending that history expects for her. Instead of letting the tragedy play out, she ditches that famous outcome and goes looking for a second chance at life and love—her way.

The story is straightforward enough that you don’t need Shakespeare homework to enjoy it. You’re there for the emotional reset, plus the jokes that come from treating a legend like material for a romantic comedy.

And yes, it calls out one of the most famous parts of Romeo and Juliet—the balcony moment—but it doesn’t stay stuck in that tradition. You’ll see Juliet’s storyline move forward instead of living on the balcony for the whole show, which is a big part of why the whole thing keeps feeling alive.

Plan for a total runtime of 2 hours and 45 minutes, including one intermission. That length is long enough for a proper Broadway arc, but short enough that you won’t feel like you missed dinner at the start of your night out.

Sing-Along Pop Music: The Real Star of This Night

If you’re even mildly attached to pop radio, this is where & Juliet pulls you in. The show uses modern pop songs as a storytelling tool, so the sound doesn’t just decorate the scenes—it drives the emotions.

You’ll have moments to sing along, which is rare on Broadway. The famous titles listed for the show include:

• Since U Been Gone
• Roar
• Baby One More Time
• Larger Than Life
• That’s The Way It Is
• Can’t Stop the Feeling

What I like about this approach is that it turns the audience into part of the rhythm. Even if you’re not a hardcore pop person, the melodies are instantly recognizable, and that recognition makes the jokes and romance land faster.

It also helps that the music comes from Max Martin’s world. When a producer is known for chart-topping hits, the songwriting tends to be catchy and movement-friendly. Here, that means you get big choruses and punchy energy that keeps the show moving.

The Comedy-Romance Balance: Where the Laughs Come From

& Juliet is marketed as a musical comedy, and the tone matters. This isn’t a solemn retelling of the classic story; it’s a playful reframe where love and humor share the same spotlight.

You can expect the show to use Juliet’s situation for comedy—what happens when the expected tragedy doesn’t happen, and Juliet has to figure out who she is next. That’s the emotional engine under the jokes, and it prevents the laughter from feeling shallow.

One of the show’s clever tricks is treating Shakespeare’s legend like something you can renegotiate. If you like modern storytelling that respects the original while updating the outcome, you’ll probably find the tone very satisfying.

Costumes, Staging, and Choreography You’ll Notice Fast

Even without trying to study every detail, you’ll pick up on the show’s performance style quickly. The production leans into “big night out” theatre—fabulous costumes, lively staging, and a strong sense of movement that matches the pop sound.

Choreographer Jennifer Weber is part of the creative team, and you can feel that in how the show uses dance and physical comedy together. The result is a cast that looks like it’s having fun, and that matters for a show like this, where energy is the product.

The director Luke Sheppard is also credited as part of the creative force behind the staging and pacing. For you as the audience member, what this usually means is fewer dead moments and a clearer sense of when the show should sprint—especially between jokes and big song sections.

Theater Night Logistics: Seats, Entry, and Making Your Arrival Smooth

The big practical detail: you present your ticket at the Stephen Sondheim Theatre. That’s your meeting point, and it’s all straightforward.

Your seat will be either upper or lower, depending on your booked option. I’d treat that as a comfort decision more than a quality decision. Upper seats can be great for seeing the full staging pattern, while lower seats tend to feel more immediate for facial expressions and performance energy.

Food and drinks are not included, but you can purchase them. If you’re building a full evening, that’s your reminder to plan dinner either before the show or around the intermission rather than expecting it to be part of the ticket.

One more rule to know up front: flash photography, video recording, and selfie sticks are prohibited. So keep your phone ready for normal photos only if permitted by the theatre rules—but don’t count on capturing video during the performance.

Ticket Value: What Your Broadway Night Actually Includes

This experience is essentially a Juliet entry ticket for the show. That’s simple, and it’s also why the value can be good: you’re paying for the main event, not a bundle of extra sightseeing.

For your money, you get:

• A full Broadway musical experience
• A major cast and production built around pop hits
• A night that runs 2 hours 45 minutes, including intermission

What you don’t get is food and drinks (available for purchase). If you’re the type who likes a theatre snack, just budget for it. If you prefer to eat beforehand, you’ll be able to focus on the show instead of making choices during the intermission line.

Also, this production comes direct from London’s West End with an award-winning creative team. That international track record matters because it usually means the show arrives with momentum and a proven production style.

Who Should Book & Juliet on Broadway

This show fits best if you want a Broadway night that feels modern, fast, and fun. I’d especially point it toward:

• Pop music fans who like singing along
• People who enjoy comedic twists on familiar stories
• Anyone who wants romance with a lighter tone than classic tragedy

It’s also a solid choice if you’re not trying to “deep read” Shakespeare before going in. The emotional stakes are clear, and the entertainment is built into the music and comedy beats.

The main mismatch risk is the strong language. If you’re bringing someone who needs a family-friendly format, that rule should guide your decision.

Should You Book This Broadway Night?

I’d book if you want a theatre experience that feels like a big night out, not a slow burn. The combination of Juliet’s second-chance story, the sing-along pop hits, and the star power behind the creative team makes this a strong option for a first-time Broadway visit or a repeat Broadway night when you want laughs with music you already know.

I’d skip it only if you’re expecting a traditional, somber Romeo and Juliet retelling or if the strong language is a dealbreaker for your group.

If you’re flexible, go. This is the kind of show that turns one ordinary evening into a soundtrack you’ll carry around for a while.

FAQ

Where do I present my ticket for & Juliet?

You present your ticket at the Stephen Sondheim Theatre.

How long is the show?

The show lasts 2 hours and 45 minutes, including one intermission.

Is there an intermission?

Yes. The total runtime includes one intermission.

Are food and drinks included?

No. Food and drinks are available for purchase.

What songs are included in the show?

The show includes pop songs such as Since U Been Gone, Roar, Baby One More Time, Larger Than Life, That’s The Way It Is, and Can’t Stop the Feeling.

Is there strong language?

Yes. The show contains strong language.

Can I take flash photos or record video?

No. Flash photography and video recording are prohibited.

Are selfie sticks allowed?

No. Selfie sticks are prohibited.

Will I sit in upper or lower seating?

Your seating is upper or lower depending on your booked option.